- Read an interview with Cristina Rivera Garza in The Millions.
- Read The Unusual, Cristina Rivera Garza’s manifesto on women authors for Pen Transmissions.
- Read Cristina Rivera Garza’s short for the Paris Review, ‘Simple Pleasure. Pure Pleasure.’ (£)
- The Iliac Crest was chosen by Publishers Weekly fiction editor Gabe Habash as one of his six favourite books of 2017:
‘Rivera Garza’s novel succeeds as a suspenseful psychological horror story in the vein of a David Lynch film or Ingmar Bergman’s Persona, as a dissolver of the space between genders, and as a challenge to the cultural erasure of the real-life Dávila. The result is mind-bending.’
Big Issue in the North
‘[Playing] with issues of gender, insanity, violence against women and life at the borders . . . this is an engaging, haunting story about what it is to name and be named.’
‘Garza has a flair for describing intense pleasure . . . blur[ring] the line between sanity and insanity. . . in this fever dream of a story.’
‘Rivera Garza’s taut language drives the mystery forward, and she plays cleverly with the literary and political histories of Mexico, the importance of queer visibility, and the silencing of female authorship. An existential gothic tale about the high stakes of understanding—and accepting—the self.’
‘A key work of Mexican literature.’
‘An intelligent, beautiful story about bodies disguised as a story about language disguised as a story about night terrors. Cristina Rivera Garza does not respect what is expected of a writer, of a novel, of language. She is an agitator.’
‘Warning: Cristina Rivera Garza is an explosive writer yet to be fully accounted for in English. An insubordinate stylist, a skilled creator of atmospheric and haunting language, The Iliac Crest is a willfully queer piece where the workings of her wild imagination destabilize everything.’
‘Like the ocean itself, Cristina Rivera Garza writes a world where borders shift and dissolve. In the curves of the fantastic, the highest realism is born. This world is weird. This world is so deeply true. I love this wholly perfect book.’