James Greer

Bad Eminence

Meet Vanessa Salomon, a privileged and misanthropic French-American translator hailing from a wealthy Parisian family. Her twin sister is a famous movie star, which Vanessa resents deeply and daily. The only man Vanessa ever loved recently killed himself by jumping off the roof of her building. It’s a full life.

Vanessa has just started working on an English translation of a titillating, experimental thriller by a dead author when she’s offered a more prominent gig: translating the latest book by an Extremely Famous French Writer who is not in any way based on Michel Houellebecq. As soon as she agrees to meet this writer, however, her other, more obscure project begins to fight back – leading Vanessa down into a literary hell of traps and con games and sadism and doppelgangers and mystic visions and strange assignations and, finally, the secret of life itself.

Peppered with ‘sponsored content’ providing cocktail recipes utilizing a brand of liquor imported by the film director Steven Soderbergh, and with a cameo from the actress Juno Temple, Bad Eminence is at once a sexy, old-school literary satire in the mode of Vladimir Nabokov, as well as a jolly thumb in the eyes of contemporary screen-life and digital celebrity.

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Hardback: £14.99
EBook: £6.99

About the Book

If you subscribe to And Other Stories by 12th December 2021, you will receive your limited edition copy of Bad Eminence – in which all subscribers are thanked by name – in May 2022, before its official publication, as well as up to five other specially selected And Other Stories titles per year. Find out more about our subscriptions.

Author: James Greer
Publication date: 5 July 2022
ISBN: 9781913505349
Ebook ISBN: 9781913505356


Dennis Cooper

‘James Greer has always been a novelist I would hock my skills set to measure up against, but even matched against his prior coups, Bad Eminence is unspeakably exciting. Its grace and hilarity and brains and foolproof read on Frenchness and I don’t even know what else made my hands shake.’

Juno Temple, prodigiously talented actress with perfect hair

‘I take exception to the characterisation of my hair as “difficult”, as my hair is in fact perfect, which I can prove in a court of law. Everything else James wrote is exactly as it happened, to the best of my memory.’

Joshua Cohen

‘With eye and ear and tongue – and oh brother, what a tongue! – James Greer is the leading Renaissance Man for our current and possibly terminal Dark Ages.’

Michael Lesslie

‘This is a work of lacerating style that shook my faith in the tangible world. It preys upon the real in capricious ways, like so much of the best fiction, toying with the reader's memories until we're not sure what we see, or what we have seen. James Greer is a circus-master of great humour, malevolence and allusion, a fabricator of eerie truths. It's terrifying to enter his world.’

Praise for James Greer

‘Strong writing and shrewd perceptions prevail, backed by wry humour, compelling stumblebum characters, a true-blue louche atmosphere, and arresting insights into the dream of art, be it literature or rock and roll.’ Donna Seaman, Booklist

‘A Nabokovian thriller, light-hearted and caustic, which is also a subtle reflection on all forms of manipulation, be they criminal, corporate, amorous or . . . novelistic.’ Éric Chevillard, Le Monde

‘Greer’s lyrical erudition is both serious work and seriously fun . . . proof that there remain new places to go, both on paper and in the known universe.’ Publishers Weekly

‘Greer does a superb job of transcending conventional genrefication, bringing something fresh to contemporary literature . . . A very enjoyable read [with a] highly inventive structure, full of eccentricities . . .’ Library Journal

‘One of the nimblest and most multi-layered American fiction writers.’ Dennis Cooper

‘James Greer’s The Failure is such an unqualified success, both in conception and execution, that I have grave doubts he actually wrote it.’ Steven Soderbergh

‘Greer has done it again: a big-city, techno-jargon-filled thrill-ride with slick medium-brow drop references to our (once-shared) mythological hometown. What could be more poignant?’ Robert Pollard, rock musician

Artificial Light skates on the purity of confession. It’s a brutal reveal; an Abyss Narrative with hooks. Read it in a rush of abomination and rise above, rise above.’ Stephen Malkmus