Biography

Susana Moreira Marques is a writer and journalist. She was born in Porto in 1976 and now lives in Lisbon, where she writes for Público and Jornal de Negócios. Between 2005 and 2010 Moreira Marques lived in London, working at the BBC World Service while also a correspondent for Portuguese newspaper Público. Her journalism has won several prizes, including the Prémio AMI – Jornalismo Contra a Indiferença and the 2012 UNESCO ‘Human Rights and Integration’ Journalism Award (Portugal). Now and at the Hour of Our Death is her first book.

More Info

  • Read more about ‘one of the best books ever written about the meaning of life’s end’, Now and at the Hour of Our Death, published by And Other Stories in 2015.
  • Susanna Moreira Marques discusses grief and Now and the the Hour of Our Death for BBC World Service.

Reviews

Leslie Jamison

‘Raymond Carver once wrote about loving everything that increases me. This book increased me. It is fearless and luminous and full of grace; it travels to the edge of death and finds life there. Its attention to the particulars of love—between the ones who will go and the ones they will leave—is something close to sublime.’ See The New York Times for more.

Gavin Francis, author of Adventures in Human Being

‘A tender, lyrical and intimate meditation on death and bereavement, examining dispossession, the fury of grief and the end we all will face.  Now and at the Hour of our Death is written with great compassion, and with the economy and precision usually reserved for poetry.’

Iona Heath, author of Matters of Life and Death: Key Writings

‘The writing of Susana Moreira Marques has the quiet intensity and the transformative power of poetry. She describes, in tender detail, the dying of people and the slow dying of a remote rural community, the one superimposed on the other.’

Anne Karpf, author of How to Age

‘Moreira Marques has the ability to evoke an entire lifespan in a few words or sentences, summoning an individual through a brief experience, event or gesture . . . Her great achievement is to situate dying so squarely within life itself. She liberates death and dying back into the messy business of living.’

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