Biography

Robin McLean worked as lawyer and then a potter in the woods of Alaska before turning to writing. Her story collection Reptile House won the 2013 BOA Editions Fiction Prize and was twice a finalist for the Flannery O’Connor Short Story Prize. She now lives and teaches in the high plains desert of central Nevada at Ike’s Canyon Ranch Writer’s Retreat, which she co-founded.

Reviews

J M Coetzee

‘Not since Faulkner have I read American prose so bristling with life and particularity.’

Jim Shepard

‘Pity is in short supply in Pity the Beast, but compassion is not: set in the kind of country in which ploughs break against hidden rocks and running water is a girl sprinting with a bucket, it’s a revenge narrative that never loses sight of the power of empathy, a love song to all of those animals domesticated for our support, a startlingly open-minded meditation on good and evil, a how-to manual on survival in the wilderness, a primer on how to negotiate all of the blind and ruthless violence we’re forced to face in a world formed by trauma, and a passionate celebration of those small comforts that can and do get us through.’

Karen Russell, author of St. Lucy’s Home for Girls Raised by Wolves and Swamplandia!

‘Robin McLean writes scenes that feel as vibrant, terrifying, and wondrous as your most adrenalized memories. Her country is never merely the backdrop for human dramas but a living, breathing entity, alive with the poetry of mules and skittering stone. Pity the Beast is a thrilling ride and McLean's world feels so real that every cloud and creature in it casts a shadow.’

Chris Bachelder

‘Mythic in scope and vision, ingenious in form and style, Pity the Beast is a magnificent work of art by a fearless and utterly original writer. I read it with wonder and terror, exhilaration and admiration.’

Noy Holland, author of Spectacle of the Body and I Was Trying to Discover What It Feels Like

‘Robin McLean’s gonna get you. She will take you out into deep, and then deeper, water.’

Karen Shepard, author of An Empire of Women and Kiss Me Someone: Stories

‘Robin McLean sees the world like no one I’ve ever read before.  In PITY THE BEAST, her exacting eye gives us human behavior in all of its beastliness while simultaneously reminding us that it’s not moral judgment that ugliness calls for, it’s even more careful attention.  McLean insists that if we face the worst of ourselves, and if we find some way to articulate what we see, we may emerge battered but filled with a compassion we didn’t know we had, and didn’t know we needed.’

Richard Wiley, author of Soldiers in Hiding

‘Not since I stood in a Washington D.C. bookstore back in 1992 to read the first few pages of All the Pretty Horses, have I known so quickly and surely that I was in the hands of a writer whose skills and sensibilities soared in a direction both thrilling and foreign to me at the same time. But where Cormac McCarthy uses his gifts to solidify the west we have always known – men on the edge, defining and redefining freedom – Robin McLean turns the tables on him (and us)  by putting a woman in charge.  Though Pity the Beast is, through and through, a feminist novel, however, there isn’t a sentence in it that preaches, not a word that calls attention to its political undercurrents. Robin McLean may be a literary newcomer, but in years to come we might be calling her a literary master.’

Sabina Murray, author of The Human Zoo and Valiant Gentlemen

‘Harrowing, gripping, the product of a deranged mind, Robin McLean’s Pity the Beast is a brutally gorgeous fever-dream of a novel. This metaphysical Western feels like something new.’

Praise from Booksellers

'Like any western worth its salt, Pity the Beast abounds in fiction’s elementals: muck and dirt and dust; flies and fire and shit; spirits both mythical and distilled; and, of course, fucking. McLean is a writer of the hard-scrabbled sacred and well-perfumed profane, and her grotesques cry out from their place there on the page. Behold, the heiress to Cormac McCarthy—her pen to the old man’s throat, her prose blood-speckled and sun-splattered and all her own.' Hal Hlavinka, Community Bookstore, Brooklyn

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