Rachel Genn works at Manchester Writing School/School of Digital Arts.  A neuroscientist, she has written two novels: The Cure (2011), and forthcoming What You Could Have Won (2020). She was Leverhulme Artist-in-Residence (2016), creating The National Facility for the Regulation of Regret, which spanned installation art, VR and film (2016-17). She has written for Granta, 3AM, and Hotel, and is working on Hurtling, a hybrid collection of essays about the neuroscience, art and abjection of artistic reverie. She’s also working on a binaural experience exploring paranoia, and a collection of non-fiction about fighting and addiction to regret (2019-2020).


Praise for The Cure

‘Startlingly Tender.’ Time Out

‘Genn’s narrative voice proves unusually nimble in its ironic, sympathetic shifts between the players in this compact saga. The Cure yields a surprising tensile strength for such a slim volume.’ Herald Scotland

‘I loved The Cure. Rachel Genn offers a new and convincing take on the experience of the Irish migrant worker, evoking in exhilarating dialogue the multi-ethnic Babel of contemporary London. This is a story of family secrets, fierce male friendships and slow-burning love.’ Joe Treasure

‘The Geiger counter of Rachel Genn’s prose moves over her characters' souls with forensic precision, detecting the minute shifts and vacillations that take place below the level of consciousness - those very things that make us human.’ Kathy Towers, Seamus Heaney Centre prize winning poet

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