Michelle Tea is the author of numerous books, including Rent Girl, Valencia, and How to Grow Up. She is the creator of the Sister Spit all-girl open mic and 1997-1999 national tour, as well as the Drag Queen Story Hour. In 2003, Michelle founded RADAR Productions, a literary non-profit that oversees queer-centric projects.
- If you had subscribed to And Other Stories by 8 July 2016, you would have received a first edition copy of Black Wave – in which all subscribers are thanked by name – before its official publication. To receive up to 6 And Other Stories titles per year, find out about subscribing here.
- Michelle Tea’s second novel Valencia was made into a film and translated into several languages, including German, Slovenian and Japanese!
- Find out more about Michelle Tea on her website.
‘Black Wave[‘s rawness is] so disarming, a rollicking hallucinatory fantasy that’s as sobering as cold air . . . It’s sentimental and reckless and not quite like anything I’ve read before. An apocalypse novel that makes you feel hopeful about the world: could anything be more timely?’
The Financial Times
‘Tea knows how to turn the conundrums of life-writing inside out. There is an apocalypse on the horizon but Michelle doesn’t read the news, just the horoscopes . . . The language with which she describes the space between cities is that of her world, sexual and brazen, with a dark wit, because what is landscape without its human framing?’
‘Exhilarating . . . A metaliterary novel with flashes of mysticism. [Black Wave] takes a mind-bending shift into the world of apocalyptic fiction, a hugely inventive twist that takes the road-to-recovery storyline and literally smashes it to pieces.’
The New Statesman
‘Out of a messy, scabrous delve into the personal, Tea has created something uncomfortably funny and bleakly gorgeous.’
The New York Times
‘Black Wave, part fictionalized memoir, part apocalyptic fantasia, blends dark humor with touches of mysticism to suggest how misleading the phrase “settling down” is. In Tea’s hands, sobriety, love and something like happiness are stranger and more unsettling than bohemian decadence could ever hope to be.’
‘This surreal tale—part memoir, part metafiction—is narrated with total conviction. [Events] powerfully express the intensity both of attaining sobriety and of the writing process.’
‘This beautiful fever dream of a book is so important to read right now, not only because of its inherently rebellious, even revolutionary message that there is no need to conform to a world that rejects us over and over, but also because Tea’s compelling prose is a testament to the importance of storytelling—and of having women doing the telling.’
‘Charged with an urgent velocity’
‘Black Wave is definitely Michelle Tea’s most fearless book. It’s a radically honest and scary book. And trust me, it’s a bloody and wonderful place Michelle has spun, fantastic, dark, and entirely awake. It shook me up.’
‘I worship at the altar of this book. A keen portrait of a subculture, an instant classic in life-writing, a go-for-broke exemplar of queer feminist imagination, a contribution to crucial, ongoing conversations about whose lives matter, Black Wave is a rollicking triumph.’ Maggie Nelson