Today practically everything can be defined. It’s a good thing for there to be a little novel that can’t be defined.
Iosi Havilio was born in Buenos Aires in 1974. Open Door (published by And Other Stories, 2011) was his first novel. He has become a cult author in Argentina after Open Door was highly praised by the outspoken and influential writer Rodolfo Fogwill and by the most influential Argentine critic, Beatriz Sarlo. Paradises (And Other Stories, 2013) is his highly-anticipated third novel.
- Translated by Beth Fowler.
- Read more about Paradises in the book section.
- Read Iosi Havilio’s intriguing interview in Latineos (in English).
- Iosi Havilio regularly comes to the UK. Join our mailing list to know when.
- If you had subscribed to And Other Stories before this book’s publication, you would have received the first edition of the book – in which all subscribers are thanked by name – before its official publication, as well as up to 5 other And Other Stories titles per year. Find out more here.
- Translated by Beth Fowler.
- Read more about Open Door in the book section.
- Open Door was read in the And Other Stories Spanish-language Reading Group summer 2010, after being suggested by Paula Porroni.
Praise for Paradises
- ‘Havilio has found just the right tone and understated register to describe extremity. Paradises takes place in an irresistible, ghostly normality.’ Beatriz Sarlo
- ‘An original voice that does not resort to tried and tested formulae.’ El País
- ‘In contemporary Argentine literature, Paradises is an almost perfect novel.’ Revista Tónica
- ‘In his novels we find the invisible and essential work that only great writers are capable of.’ Fabián Casas, author of Los Lemmings
- ‘I really enjoyed this book, although I’m not quite sure why or what it’s really all about. It’s beautifully written and translated with a compelling voice from the unnamed narrator that pulled me into the story and made me want to know what would happen next … a highly readable book … one that I found almost impossible to pin down.’ Rachel Ward, A Discount Ticket to Everywhere
- ‘Havilio’s passion lies with the powerless. An inexhaustible stream of eccentric, believable characters, the down-and-out, downtrodden marginal citizens of Buenos Aires, parades through his fiction.’ Nick DiMartino, Shelf Awareness
- ‘A chronicle of events within a life, and the life is not particularly consciously lived. Perhaps this is why Havilio has been compared to Albert Camus; his main character parallels the existential passivity of Mersault in The Outsider… It’s something of a series of dots, which different readers will connect in different ways.’ Adam Ley-Lange, We Love This Book
Praise for Open Door
- ‘Look out for Open Door by the much-praised Iosi Havilio.’ Boyd Tonkin, The Independent
- ‘Iosi Havilio’s remarkable first novel brings news of an intriguing world’ Martin Schifino, The Independent
- ‘With minimalist beauty and exquisite strangeness, Iosi Havilio offers a mesmerising addition to the literature of solitude.’ Chloe Aridjis
- ‘An ambiguous tale that verges on dark comedy … With skill and subtlety, the novel hints that a whole society might labour under an illusion of liberty.’ The Economist
- ‘Deliberately unshowy, so that plot twists can unfold in the quietest ways.’ Fatema Ahmed, Prospect
- ‘There is a lot of sex and violence in Open Door, but it is never gratuitous. … You have in your hands a masterpiece.’ Oscar Guardiola-Rivera
- ‘There’s no spoiling Open Door, Iosi Havilio’s enigmatic first novel … readers will have a hard time leaving Open Door.’ The Review of Contemporary Fiction
- ‘A moving and highly original novel. A good translation is one that convinces as a work in its own right. That is what we get here.’ Margaret Jull Costa, In Other Words (journal of the British Centre for Literary Translation)
- ‘Havilio handles the narrator’s listlessness with remarkable dexterity and maintains the reader’s attention throughout … a novel which will flourish under many re-readings.’ Annabella Massey, Cadaverine
- ‘Open Door really surprised me, it doesn’t obey any of the laws of reading, it feels like it sprang out of nowhere.’ Beatriz Sarlo, Perfil
- ‘Open Door is not a choral novel but a series of solitary songs sung in intimate keys. It contains a tale to mull over, a story not easy to forget.’ El País
- ‘Living, some say, is much easier than thinking about life. This seems to be the almost unconscious guiding force that drives the heroine of Open Door, Iosi Havilio’s first book; a sober, restrained novel through which his mature craft shines.’ Susana Rosana, Clarín
- ‘His opera prima touches nerves in the literature and history of his country, themes such as absence, identity and the conflict between city and country; but the style is unusual, a virtuoso display of muted prose. [...] Havilio may well be an attentive reader of Camus: a barely lyrical phrase such as ‘‘I flop onto my back in the grass and the sky renders me speechless’’ recalls The Outsider. [...] The internal variety, the technical command, the originality of the setting and the freshness of the voice are all worthy of mention.’ Martin Schifino. Revista del Libro
- ‘Open Door is a confusing, bewildering, riveting book; a paen, of sorts, to both the pursuit of solitude and the futility of that pursuit.’ Eleutherophobia
- ‘Havilio is a clever writer but he doesn’t forget that, first and foremost, good writing must be readable and enjoyable. This novel is both.’ The Lone Reader
- ‘This surreal novel is both dense enough and short enough to warrant re-readings and will especially appeal to fans of the TV series Twin Peaks.’ Publishers Weekly
- Open Door includes two of my favorite subjects in literature: Argentina and insane asylums.’ Three Percent